Over the next few months I am re-publishing the posts that I want to preserve from the previous incarnation of this blog, just in case I ever lose control of that site or it vanishes. What follows was originally published on 4 December 2010 on betweensympathyanddetachment.blogspot.co.uk.
I was hoping to have a blog about Jay-Z ready on the occasion of his forty-first birthday, but, having made very little progress with Decoded so far, that has not happened. So I’m going to write on another musical topic that caught my attention a while back (and whilst a blog about Jay-Z will still be pertinent even if it lacks the touch of being posted on his birthday, this blog needs to be written before Christmas).
On Desert Island Discs a few weeks back, Ian McMillan, a South Yorkshire poet, chose John Cage’s 4’33” as one of his Desert Island Discs (along with tracks by Vaughan Williams, Andy Stewart, Doris Day, Love, Captain Beefheart and his Magic Band, Bing Crosby and Leonard Bernstein). In fact, he chose it as the one track he would, if push came to shove, take with him, stating that it would be the one that ‘always renewed itself’. I don’t know if he’s right about that, but it is certainly the case that it is the track that is most dependent on its listening context for its meaning.