Who am I writing for? Who should I be writing for?

This is the first entry in a new category of posts on this blog: ‘Research ponderings’. I intend these posts to be places where I try to feel my way through some of the perplexities I encounter while working on my research. This will be helpful to me in its own right, but what will of course be even more helpful is if fellow researchers read my ponderings, and are kind enough to offer any words of guidance they might have. I will try in each entry to stick to a particular problem, or at least a tight cluster of them, and avoid lamentations concerning intractable states of affairs.

I’m at an exciting stage in my research leave. The reading I’ve been doing is connecting lots of dots, and giving me lots of new thoughts. Articles are forming themselves in my head, and even splitting into multiple articles as the issues I’m dealing with clarify.

Anyway, here’s one of the things I’m trying to think through…

I want to write an article that uses the insights of phenomenology to offer new tools for the close analysis of screen drama. My problems are all variations on the same theme: the things I want to do to make the case I want to make are somewhat at odds with the demands of research as I think it is understood in contemporary academia.

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