Is there such a thing as the ‘mass reception’ of an artwork?

I’ve just cut the first few pages out of a notebook, to re-purpose it. One of those pages is a couple of sentences of musings/the start of an argument about an issue I’ve often thought about. They start to explain why I always resist making an objective/subjective distinction in talking about art, and why engagement with art has to, I think, operate at the level/scale it does. Here is what I wrote (partly being transcribed here so I can throw the piece of paper away):

In order for its meaning to be released/realised, for it to become the kind of thing it is designed to be, an artwork has to react with a human brain. In a sense, then, there is no such thing as ‘mass reaction/reception’, only an agglomeration of individual responses. The individual experience is an ineliminable part of the way artworks come to have meaning.

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