This post is a response to a blog post and a vlog post by my friend Matthew, over on his new blog, Pateman’s Ponderings. Those posts were prompted by the various reactions to Kai Cole’s publication of her account of her ex-husband Joss Whedon’s infidelity. I have no interest in contributing to that debate specifically, but as someone with Romantic and even auteurist leanings, I did want to respond briefly to some of the theoretical foundations upon which Matthew rests his response/metaresponse.
Line of Duty is a brilliantly designed (and executed) outlier in its approach to two key ingredients of popular screen drama. Spoilers ahead!